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	<title>Prachi Khandekar &#124; Curation &#38; Design</title>
	<link>https://prachikhandekar.com</link>
	<description>Prachi Khandekar &#124; Curation &#38; Design</description>
	<pubDate>Fri, 16 Jul 2021 13:55:37 +0000</pubDate>
	<generator>https://prachikhandekar.com</generator>
	<language>en</language>
	
		
	<item>
		<title>About</title>
				
		<link>https://prachikhandekar.com/About</link>

		<pubDate>Thu, 05 Apr 2018 15:39:24 +0000</pubDate>

		<dc:creator>Prachi Khandekar &#124; Curation &#38; Design</dc:creator>

		<guid isPermaLink="true">https://prachikhandekar.com/About</guid>

		<description>Allô!

I conceive and curate exhibitions and multimedia projects. 
Interventions that prompt reflection are a delight to me. I particularly enjoy unraveling what hides in plain sight. 
My training in architecture, design, and writing comes through in all my work. The projects below are my most memorable collaborations with fellow creatives and cultural organizations.&#38;nbsp;~
Prachi</description>
		
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	<item>
		<title>Sublime Substrate</title>
				
		<link>https://prachikhandekar.com/Sublime-Substrate</link>

		<pubDate>Fri, 16 Jul 2021 13:55:37 +0000</pubDate>

		<dc:creator>Prachi Khandekar &#124; Curation &#38; Design</dc:creator>

		<guid isPermaLink="true">https://prachikhandekar.com/Sublime-Substrate</guid>

		<description>

	CIRCUITS OF 
SAND &#38;amp; WATER
+



	A transmedia experience about
what it’s like to be human in an era where algorithms construct desires; the machine gaze parses through our actions; and privacy is diminished in service of 
data-driven utopias.The digital prototype is an experimental film from the vantage point of CCTV cameras in public spaces. Windows become metaphors for privacy, while an unseen narrator speaks of the tacit wagers we make with our data everyday. The theatrical prototype presents an embodied experience of dwindling privacy by placing the audience in a smart home. The narrative is delivered through domestic objects and highlights the tussle between animal instincts and digital impulses in intimate settings.
*Developed with support from Canada Council for the Arts and CALQ.
</description>
		
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	<item>
		<title>Flight Mode</title>
				
		<link>https://prachikhandekar.com/Flight-Mode</link>

		<pubDate>Tue, 03 Apr 2018 20:18:48 +0000</pubDate>

		<dc:creator>Prachi Khandekar &#124; Curation &#38; Design</dc:creator>

		<guid isPermaLink="true">https://prachikhandekar.com/Flight-Mode</guid>

		<description>FLIGHT
 MODE+

An exhibition about the erosion of solitude from contemporary culture. Two immersive installations housed in shipping containers invited reflection on what we readily give up in pursuit of constant connectivity.︎ www.savac.net/flight-mode/︎ flightmode_exhibit


Featured Installations:&#38;nbsp;Ecolocation by Hagop Ohannessian and Antiprism by Lily Jeon.
Supported by SAVAC and the Ontario Arts Council.
Site provided by Waterfront Toronto.&#38;nbsp;


Photography by Rémi Carreiro and&#38;nbsp;Vincent Castonguay.
Graphic Design by Heather Lynn and Billyclub.</description>
		
	</item>
		
		
	<item>
		<title>FMCatalogue</title>
				
		<link>https://prachikhandekar.com/FMCatalogue</link>

		<pubDate>Wed, 04 Apr 2018 19:33:20 +0000</pubDate>

		<dc:creator>Prachi Khandekar &#124; Curation &#38; Design</dc:creator>

		<guid isPermaLink="true">https://prachikhandekar.com/FMCatalogue</guid>

		<description>


&#38;nbsp; :&#38;nbsp; READ THE EXHIBITION CATALOGUE&#38;nbsp; : &#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Cover and Spread</title>
				
		<link>https://prachikhandekar.com/Cover-and-Spread</link>

		<pubDate>Thu, 05 Apr 2018 17:17:08 +0000</pubDate>

		<dc:creator>Prachi Khandekar &#124; Curation &#38; Design</dc:creator>

		<guid isPermaLink="true">https://prachikhandekar.com/Cover-and-Spread</guid>

		<description>
LOOKING BACK
AT THE&#38;nbsp;FUTURE+

Cover &#38;amp; Spread re-visited seven architectural projects of Canadian Modernism through archival photos and editorials featured in Canadian Architect Magazine. The aim was to understand the legacy and relevance of the buildings today.&#38;nbsp;

</description>
		
	</item>
		
		
	<item>
		<title>Working Models</title>
				
		<link>https://prachikhandekar.com/Working-Models</link>

		<pubDate>Tue, 03 Apr 2018 20:18:48 +0000</pubDate>

		<dc:creator>Prachi Khandekar &#124; Curation &#38; Design</dc:creator>

		<guid isPermaLink="true">https://prachikhandekar.com/Working-Models</guid>

		<description>
MODELLING POSSIBILITIES+


Working Models probed the role of model-making in design research. The selections, using a range of media, demonstrate the possibilities of working models in various modes: Concept, Process, Detail, Digital, Performance and Illustrative.&#38;nbsp;


</description>
		
	</item>
		
		
	<item>
		<title>Seeing Voices</title>
				
		<link>https://prachikhandekar.com/Seeing-Voices</link>

		<pubDate>Thu, 05 Apr 2018 17:38:04 +0000</pubDate>

		<dc:creator>Prachi Khandekar &#124; Curation &#38; Design</dc:creator>

		<guid isPermaLink="true">https://prachikhandekar.com/Seeing-Voices</guid>

		<description>
EXPLORING
TELEPHONY+


Seeing Voices suggested that the telephone is more than an everyday object of connection; it is an icon of a vast history of exchange. This exhibition featured seven distinct research projects, all exploring the meaning and impact of telephony using artifacts from the British Telecom archives.
&#38;nbsp;



</description>
		
	</item>
		
		
	<item>
		<title>STUFF</title>
				
		<link>https://prachikhandekar.com/STUFF</link>

		<pubDate>Thu, 05 Apr 2018 17:38:01 +0000</pubDate>

		<dc:creator>Prachi Khandekar &#124; Curation &#38; Design</dc:creator>

		<guid isPermaLink="true">https://prachikhandekar.com/STUFF</guid>

		<description>
EXPIRING
IDENTITY+

STUFF explored ways in which we assimilate the culture of obsolescence – a context in which objects intimately tied to our identity are built to break down. The works of 14 artists spoke to this theme and were presented in dialogue with one another.

</description>
		
	</item>
		
		
	<item>
		<title>Windows to Innovation</title>
				
		<link>https://prachikhandekar.com/Windows-to-Innovation</link>

		<pubDate>Thu, 05 Apr 2018 18:09:44 +0000</pubDate>

		<dc:creator>Prachi Khandekar &#124; Curation &#38; Design</dc:creator>

		<guid isPermaLink="true">https://prachikhandekar.com/Windows-to-Innovation</guid>

		<description>
SHOWCASING
 INNOVATION+

Windows to Innovation was a digital exhibition and window display of scholarly, research, and creative projects from The Creative School, TMU (Ryerson University). The displays featured creative work from a range of academic programs – Fashion, Film, Photography, Journalism,
Interior Design, Print and Digital Communications.

</description>
		
	</item>
		
		
	<item>
		<title>A Telling Portrait</title>
				
		<link>https://prachikhandekar.com/A-Telling-Portrait</link>

		<pubDate>Thu, 05 Apr 2018 18:09:51 +0000</pubDate>

		<dc:creator>Prachi Khandekar &#124; Curation &#38; Design</dc:creator>

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		<description>
COLLECTION 
SHAPING
CREATION+


A Telling Portrait presented selections from Michael Mitchell’s personal collection alongside his output as a writer, filmmaker, and photographer. The exhibition explored the relationship between the acts of collection and creation, linking photographs Mitchell acquired and the work he produced.

</description>
		
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