I conceive and curate exhibitions and multimedia projects.
Interventions that make people pause and reflect are a delight to me. My own approach involves directing attention to details that hide in plain sight.
I have a background in architecture, design, and writing – a foundation that continues to inform my work. My practice evolves through collaborations with local and international creators, institutions, and cultural organizations.
I invite you to scroll through a selection of my projects below.
IN THE WORKS...
Circuits of Sand & Water explores the curious moment we find ourselves in: one in which humans strive for machine-like rationality, while machines take on humanoid characteristics. The project considers the ongoing extraction of data from bodies during this crossover, a collective sacrifice of privacy for an AI-powered future.
The strenghts of fiction, experimental video, and sound design are used to question our place in a world where algorithms construct desires; where memories are digitized; and where the machine gaze parses every action. This experience was developed with support from the Canada Council for the Arts and CALQ.
An exhibition about the erosion of solitude from contemporary culture. Two immersive installations housed in shipping containers invited passing pedestrians to reflect on what we readily give up in pursuit of constant connectivity.
Art Installations: Ecolocation by Hagop Ohannessian and Antiprism by Lily Jeon.
Supported by SAVAC and the Arts Council of Ontario. Site provided by Waterfront Toronto.
Photography by Rémi Carreiro and Vincent Castonguay. Graphic Design by Heather Lynn and Billyclub.
Working Models probed the role of model-making in design research using a diverse range of media. The selections demonstrated the possibilities inherent to working models in various modes: Concept, Process, Detail, Digital, Performance and Illustrative.